Daily Blog
Okay, this is about a week late and has been blogged just about everywhere, but just in case you're like me and didn't get around to watching this yet: The Daily Show on blogging.
Okay, this is about a week late and has been blogged just about everywhere, but just in case you're like me and didn't get around to watching this yet: The Daily Show on blogging.
I just started scanning through things to see what happened today-- no time for actual thought/reflection/commentary, yet, but: For good roundups of posts/articles on today's oral arguments in the broadcast flag lawsuit, see IPTA and EEJD.
"You're out there in the whole world, regulating. Are washing machines next?" asked Judge Harry Edwards. Quipped Judge David Sentelle: "You can't regulate washing machines. You can't rule the world."Also, check out the blogging of today's arguments from Luminous Void.
A key development in one of the cases I'm studying for my dissertation is almost upon us: February 22 will bring opening arguments for the court case over the broadcast flag. Susan Crawford, who has done some of the best writing on this topic (both in her blog and in more formal, legal writing) highlights some of what's at stake here:
Like the Grokster case, the flag situation raises this question: can one industry force another to constrain new general purpose technologies in the name of copyright protection? Like the CALEA dispute (prompted by the demands of another great industry -- law enforcement), the flag represents an attempt to have high-tech innovators ask permission before innovating.UPDATE: In "No Mandate for Broadcast Flag Tech Mandate" Donna Wentworth at Copyfight points to a number of good, recent pieces in anticipation of tomorrow's oral arguments: an NYT article, "Struggle over digital-tv control" (which does a decent, though uncritical, job of highlighting the major positions in the case) and two responses to the article. One, from Mike Godwin, BitTrickling Into the Times (clarifying his quotes in the article), and a more critical post by Ed Felten, "Broadcast Flag in Court", questioning the logic of the official MPAA explanation of the need for the flag. For example:
The story itself isn't bad. As the reporter discusses (though not in much depth), there are many good reasons why this anti-copying system, called the "Broadcast Flag," is a travesty -- including its attack on fair use, for scholarship and creating new art, not to mention the peculiar notion that technology companies now need permission to innovate.
But the headline is poison. By defining the debate in terms of preventing piracy -- when the story could have as easily, and accurately, been headlined as "Hollywood Move to Block Technological Innovation is Challenged" -- it sets a tone that even a fair article has trouble balancing back to an honest discussion.
A new-ish website, Inside Higher Ed, is up now (in beta.) It's akin to the Chronicle of Higher Education (from which IHE's founders formerly hailed). But, unlike the chronicle (which locks most of its articles behind a (rather expensive) paid subscriber wall), Inside Higher Ed's articles are all free to access. It looks to be an interesting mix of columns/opinion pieces and news from around the academy, as well as links to the same from around the net.
When I saw the article "Internet Radio Poised for a Tune Around" in this morning's LA Times, I initially assumed would feature podcasting. I was quite surprised, then, to find not only was this not the focus of the article (which centered instead on whether corporate media may be wading back into the internet radio domain) but there was no mention of podcasting at all.
This definition seems fairly helpful in explaining the technology, however one thing is fundamentally missing here-- the way podcasting (like text blogging before it) has been about expanding access not just to consuming but also creating media.The term "podcasting" is a portmanteau of the words iPod and broadcasting. Although an iPod is currently the playback device of choice for many early adopters of podcasting, a portable music player is not required to take advantage of this method of content distribution. Podcasting is functionally similar to the use of timeshift-capable digital video recorders (DVRs), such as TiVo, which let users record and store TV programs for later viewing.
A podcast is much like an audio magazine subscription: a subscriber receives regular audio programs delivered via the internet, and she or he can listen to them at their leisure.
Podcasts differ from traditional internet audio in two important ways. In the past, listeners have had to either tune in to web radio on a schedule, or they have had to actively download individual files from webpages. Podcasts are more flexible and much easier to get. They can be listened to at any time because a copy is on the listener's computer or portable music player, and they are automatically delivered to subscribers, so no active downloading is required.
Major media companies, including broadcast giant Clear Channel Communications Inc. and Viacom Inc.'s MTV, jumped into the game. The only problems: no workable business model and no way to reach listeners away from their computers. That made Internet radio, for the most part, a commercial flop.Now, maybe I shouldn't expect more from an article in the Business Section-- but the visions presented here seem so limited, solely imagining people still as passive audiences-- albeit audiences with new, high tech ways to listen to radio content. The content, and perhaps more significantly the one-to-many broadcasting model, remains remarkably unchanged. (Or, changed to more targeted niche markets, maybe, but still niches who solely consume rather than produce their own media.)
But now there are signs of a turnaround. Ratings services are beginning to take Internet radio seriously as an advertising medium, entertainment companies are investing in it again, and new technologies are promising to let it reach people whether they are in the car or on the jogging trail.